![]() ![]() Move over, modern art – my hair should be in the Louvre! □ĭespite the wind trying to turn me into a human kite, the panoramic views were worth every hair-raising moment. Vroom vroom! □□īut wait, there's more! When I reached the top, I was greeted by a gust of wind so strong it could blow away a Venetian carnival mask! My carefully coiffed hair became a work of art, defying gravity in ways I never knew were possible. I half expected Oompa-Loompas to serenade me with an elevator song! □ And with the wind whistling through the lift's ancient vents, I couldn't help but feel like I was in a vintage convertible rather than an elevator. Now, let's talk about the elevator ride, shall we? It was like stepping into Willy Wonka's wonkavator – except instead of candy, I was ascending into the sky. Yup, it's not just Pisa that gets to have all the fun! This tower decided to be extra special and give Venice its own leaning monument! Bravo, Campanile, for being the trendsetter of tilting! □ At times, I felt like I was playing a real-life version of Pac-Man, dodging gondolas instead of ghosts! □♂️□įinally, I arrived at the tower – the "Leaning Tower of Venti-ce" as I like to call it. You know, the kind of weather where you can't decide if you need sunscreen or a scarf! □♂️įirst off, I have to give props to Google Maps for leading me on a magical journey through the labyrinth of Venetian streets. So picture this: I decided to climb this iconic tower on a cloudy and windy summer day. Using shades of yellow, orange, purple and red, he blended to show a setting sun on the water, the building depicted could be anything, and the setting anywhere.Oh, mama mia! Let me tell you about my wild adventure to St. Monet’s San Giorgio Maggiore at Dusk is not a depiction of the monastery, but a painting of the colors at that time of day. He used white, yellow, vermillion, blue, and green and would often mix colors directly on the painting canvas. He disliked the sun setting, because with the sunset, colors began to disappear.Īfter 1886, Monet refused to use black, brown or any earthtone paints. Instead of focusing on the details, Monet emphasized capturing the moment with sunlight effects and the overall visual effect. He painted a series of the subject, capturing various angles and lighting during the day’s progression. He uses small, thin brush strokes, with an emphasis on the accurate depiction of how light changes the qualities of hte subject and movement in the water, using unusual visual angles. Monet’s depiction of it is all about the effects of light. ![]() San Giorgio Maggiore is a sanctuary and monastery off the coast of Italy. In October 1908, he began a series of preliminary works, including San Giorgio Maggiore at Dusk. But when he arrived, he was so entranced by the sight of Venice, he had his painting materials sent to him. ![]() While reluctant to paint the subject which had been painted so many times by other artists, he had not intended to create any paintings while staying in Venice. At age 68, Monet and his wife were invited to stay in Venice. San Giorgio Maggiore al Crepuscolo, which is also entitled Venice at Dusk, is one of Monet’s most famous paintings, in which he almost did not create. Monet believed in the strength of observation and painting colors observed, not the physical being. The philosophy of impressionism is based on expressing one’s perceptions or impressions of subject matter as opposed to mechanical, linear depictions. Oscar Claude Monet was the founder of the French Impressionist movement in art. Location: National Museum Cardiff of Cardiff, Wales ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |